Art and Art History Collection (Saskia)
The Art and Art History Collection from Saskia Ltd., Cultural Documentation features a wide range of digital images with an emphasis on the history of Western art. There are 3,645 images in this collection. Image sets include: The Dresden Collection, Brueghel and Rubens, Ancient Greek Art (Architecture and Sculpture), Ancient Art (Minoan and Roman), Roman Art, Michelangelo, Italian Renaissance, Realism, Impressionism, Post-Impressionism, and Contemporary Architecture. Images from art history textbooks include: Gardner, Expanded Gardner, Stokstad, Gilbert, Hartt, Cunningham, and Reich.
Access note: Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN. For more information or to report technical issues please contact us.
-
Heb-Sed Festival Court
Unknown
Heb-Sed Festival court, Precinct of Djoser, top of Pyramid of Userkaf can be seen in the background
-
Hermes with the Infant Dionysus, Left Detail
Praxiteles
Detail front left view of the torso of Hermes and Dionysus
-
Hermes with the Infant Dionysus, Upper Portion
Praxiteles
Detail of upper portion of Hermes, Dionysus in the corner
-
Homage to Cezanne
Unknown
This groupe portrait by Maurice Denis is actually the portrait of a group of friends who made up the original members of the Nabis. (From left to right they are: Redon, Vuillard, Mellerio, Vollard, Denis, S
-
Homage to Cezanne
Unknown
This groupe portrait by Maurice Denis is actually the portrait of a group of friends who made up the original members of the Nabis. (From left to right they are: Redon, Vuillard, Mellerio, Vollard, Denis, S
-
Homage to Cezanne (detail)
Unknown
This groupe portrait by Maurice Denis is actually the portrait of a group of friends who made up the original members of the Nabis. (From left to right they are: Redon, Vuillard, Mellerio, Vollard, Denis, S
-
House of Jacques Coeur (1395-1456)
Unknown
Close det: statue of Jacques Coeur looking out from a a false window
-
House of Jacques Coeur (1395-1456)
Unknown
Main detail, entrance pavilion with statue of Jacques Coeur from front center
-
House of Jacques Coeur (1395-1456)
Unknown
Main detail, entrance pavilion with statue of Jacques Coeur from front left
-
House of Vestals, Temple of Antoninus and Faustine, Torre delle Milizie
Unknown
View from above toward northeast
-
Houses of Parliament (Palace of Westminster)
Unknown
Houses of Parliament, Victoria Tower (compl. 1860), from Nnorthwest
-
Houses of Parliament (Palace of Westminster)
Unknown
Thames Façade det & Victoria Tower, from northeast
-
Houses of Parliament (Palace of Westminster)
Unknown
Total Thames Façade from east-northeast on Westminster Bridge
-
Houses of Parliament (Palace of Westminster)
Unknown
Houses of Parliament from Nnorthwest w Westminster Hall (1097 to 15th c), Victoria Tower beyond
-
Houses of Parliament (Palace of Westminster)
Unknown
elaborate ornament capping Victoria Tower, from east-northeast
-
Hunters in the Snow : Winter The Hunters in the Snow; January
Unknown
What was then understood as an illustration of seasonal labour a pig being singed in front of an inn comes across only as a secondary scene at the left edge of the painting.
-
Hunters in the Snow; Winter The Hunters in the Snow; January
Unknown
Because of its unforgettably inventive form and coloring, the closing (not opening) painting of Bruegels series of the seasons is the most well-known and most popular of the pictures in this cycle.
-
Illusionistic Architecture in Relief with Woman in Doorway
Unknown
Illusionistic architecture with woman
-
Injured Giant from pediment of the Gigantomachy of the "Old Temple" on the Acropolis
Unknown
Overall view
-
Interior of Men's Hospital at Arles (detail) Ward in the Hospital in Arles
Unknown
After recurrent attacks of his illness, Van Gogh decided to admit himself to a mental health clinic in Saint-R
-
Interior with a Woman in a Wicker Chair
Unknown
This painting is an excellent example of Bonnard's technique of using the horizontals and verticals of walls, doors and windows to structure a composition. Despite its strong organisation around a central vertical axis, this is a classic instance of an overlapping series of planes being used to establish depth so that, looking from the bottom to the top, the canvas is transformed into looking in and then out. Right at the rear a kind of visual puzzle awaits us. The paint of the two areas of very pale blue in the middle section of the open doors appears to run down below the lower edges. The white section to the left can be seen as attached to the window, or standing at an angle just outside, or perhaps flat on a wall at some distance.
-
Italian Woman (Agostina Segatori? )
Unknown
The woman depicted is probably Agostina Segatori, the owner of this caf
-
Italian Woman (Agostina Segatori? )
Unknown
The woman depicted is probably Agostina Segatori, the owner of this caf
-
Jacob's Dream of the Heavenly Ladder
Unknown
Dutch biblical, genre, and portrait painter, a gifted and favorite pupil of Rembrandt (1635-40), to whom he remained a close friend. His usual style is based so closely on that of his master that many of his pictures have passed as works of Rembrandt himself. Eeckhout was one of the most successful of this school in adopting the broader and bolder technique of Rembrandt's mature style, though he seldom approached the master in humanity or depth of feeling. In surprising contrast to his normal Rembrandtesque style are a number of highly finished genre subjects--guardroom scenes, backgammon players, and so on.
-
Jacob's Dream of the Heavenly Ladder (detail)
Unknown
Dutch biblical, genre, and portrait painter, a gifted and favourite pupil of Rembrandt (1635-40), to whom he remained a close friend. His usual style is based so closely on that of his master that many of his pictures have passed as works of Rembrandt himself. Eeckhout was one of the most successful of this school in adopting the broader and bolder technique of Rembrandt's mature style, though he seldom approached the master in humanity or depth of feeling.In surprising contrast to his normal Rembrandtesque style are a number of highly finished genre subjects--guardroom scenes, backgammon players, and so on.
-
Jacob's Dream of the Heavenly Ladder (detail)
Unknown
Dutch biblical, genre, and portrait painter, a gifted and favorite pupil of Rembrandt (1635-40), to whom he remained a close friend. His usual style is based so closely on that of his master that many of his pictures have passed as works of Rembrandt himself. Eeckhout was one of the most successful of this school in adopting the broader and bolder technique of Rembrandt's mature style, though he seldom approached the master in humanity or depth of feeling. In surprising contrast to his normal Rembrandtesque style are a number of highly finished genre subjects--guardroom scenes, backgammon players, and so on.
