Art and Art History Collection (Saskia)
The Art and Art History Collection from Saskia Ltd., Cultural Documentation features a wide range of digital images with an emphasis on the history of Western art. There are 3,645 images in this collection. Image sets include: The Dresden Collection, Brueghel and Rubens, Ancient Greek Art (Architecture and Sculpture), Ancient Art (Minoan and Roman), Roman Art, Michelangelo, Italian Renaissance, Realism, Impressionism, Post-Impressionism, and Contemporary Architecture. Images from art history textbooks include: Gardner, Expanded Gardner, Stokstad, Gilbert, Hartt, Cunningham, and Reich.
Access note: Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN. For more information or to report technical issues please contact us.
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Gallic Chieftain Killing Himself and his Wife. Roman Copy after bronze original from Pergamon
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Detail of the dead wife
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Gallic Chieftain Killing Himself and his Wife. Roman Copy after bronze original from Pergamon
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Upper two thirds of the Gaul and his dead wife from front right
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Gallic Chieftain Killing Himself and his Wife. Roman Copy after bronze original from Pergamon
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Total from the front
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Garden of Earthly Delights : Hell (right wing) (detail) Garden of Delights : Hell
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The torments of hell, a dark, icy, yet fiery nightmarish vision, on the right. At the time of his death, Bosch was internationally celebrated as an eccentric painter of religious visions who dealt in particular with the torments of hell. During his lifetime Bosch's works were in the inventories of noble families of the Netherlands, Austria, and Spain, and they were imitated in a number of paintings and prints throughout the 16th century, especially in the works of Pieter Bruegel the Elder.
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Garden of Earthly Delights : Hell (right wing) (detail) Garden of Delights : Hell
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The torments of hell, a dark, icy, yet fiery nightmarish vision, on the right. At the time of his death, Bosch was internationally celebrated as an eccentric painter of religious visions who dealt in particular with the torments of hell. During his lifetime Bosch's works were in the inventories of noble families of the Netherlands, Austria, and Spain, and they were imitated in a number of paintings and prints throughout the 16th century, especially in the works of Pieter Bruegel the Elder.
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Garden of Earthly Delights : Hell (right wing) (detail) Garden of Delights : Hell
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Several huge musical instruments figure prominently in Bosch's conception of hell. Their relationship to each other bears strongly fanciful elements, and they have been adapted in form. What is more, the use of these instruments is wholly fantastic. There is a human figure stretched across the strings of a harp; another writhes around the neck of a flute, intertwined with a snake; a third peers out of a drum equipped with bird-like feet, the next one plays triangle while reaching out from a hurdy-gurdy, and even the smoking trumpet displays an outstretched human arm.
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Garden of Earthly Delights : Hell (right wing) Garden of Delights : Hell
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The right wing of the triptych represents the Hell. At the time of his death, Bosch was internationally celebrated as an eccentric painter of religious visions who dealt in particular with the torments of hell. During his lifetime Bosch's works were in the inventories of noble families of the Netherlands, Austria, and Spain, and they were imitated in a number of paintings and prints throughout the 16th century, especially in the works of Pieter Bruegel the Elder.
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Garden of Loves (detail) Worship of Venus
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This canvas was painted by Titian for Alfonso del Este Duke of Ferrara. It was intended to decorate the Duke
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Garden of the Hospital at Saint-R
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This painting is a view of the garden at the hospital in Saint-R
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Garden of the Hospital at Saint-R
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This painting is a view of the garden at the hospital in Saint-R
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Gardenscape. Second Style wall painting from the Villa of Livia, Primaporta
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Detail: orange trees
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Gardenscape. Second Style wall painting from the Villa of Livia, Primaporta
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Close detail with bird amonst greenery
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Gardenscape. Second Style wall painting from the Villa of Livia, Primaporta
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Overall view with tree in center
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Gothic Wall Tomb of Doge Marco Corner (d. 1368)
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Sarcophagus with tilted cover and recumbent doge
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Gothic Wall Tomb of Doge Marco Corner (d. 1368)
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Gothic architecture, Madonna and Child betw. St. Peter & St. Paul
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Grand Canal Waterfront Development
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View NE of Grand Canal w. Rialto Bridge (by Antonio da Ponte, 1588-92)
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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Khafre & Khufu, telephoto fr SSW
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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Detail of blocks, pyramid of Cheops, NW corner & N side fr WNW
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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General view from NW: Khufu, Khafre, Menkaure
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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View fr S: Menkaure, Khafre, Khufu, with smaller pyramids of queens
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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Menkaure fr S, with pyramids of queens
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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Khafre & Khufu fr SSW (with humans giving false scale)
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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Detail of blocks, pyramid of Khafre, NW corner & N side fr WNW
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Great Pyramids of Giza: Khufu (Cheops, ca.2600-2550 BC), Khafre (Chefren, ca.2575-2525 BC) and Menkaure (Mycerinus, ca.2525-2475 BC)
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Closer view fr S: Menkaure, Khafre, Khufu
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Guggenheim Bilbao Museum
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View of Bilbao from the hills showing location of the Museum within the city
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Guggenheim Bilbao Museum
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General view, riverfront of complex, from N across the Nervion River
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Guggenheim Bilbao Museum
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Genral view, riverfront of complex, from NNW across the Nervion River
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Guggenheim Bilbao Museum
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The complex in relation to its industrial site of RR container yards, from SW
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Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance)
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Hall of the Three Exedras. View from NW
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Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance)
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Capopous. Colonnade with replicas of Greek statues
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Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance)
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The Large Baths with domed hall. View from W
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Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance)
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General view of colonnade from N
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Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance)
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Canopus. Colonnade with curved entablature and Greek statue
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Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance)
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The Large Baths. General view from W
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Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance)
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The Large Baths. General view from NW
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Hagia Sophia
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General interior view, with colonnade, arches, gallery, pendentive, portion of dome
