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Digital Commons @ USF > USF Libraries > USF Digital Collections > Tampa Digital Collections > Tampa Special Collections > Arts and Humanities > Art and Art History

Art and Art History Collection (Saskia)
 

Art and Art History Collection (Saskia)

The Art and Art History Collection from Saskia Ltd., Cultural Documentation features a wide range of digital images with an emphasis on the history of Western art. There are 3,645 images in this collection. Image sets include: The Dresden Collection, Brueghel and Rubens, Ancient Greek Art (Architecture and Sculpture), Ancient Art (Minoan and Roman), Roman Art, Michelangelo, Italian Renaissance, Realism, Impressionism, Post-Impressionism, and Contemporary Architecture. Images from art history textbooks include: Gardner, Expanded Gardner, Stokstad, Gilbert, Hartt, Cunningham, and Reich.

Access note: Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN. For more information or to report technical issues please contact us.

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  • Path in Monet's Garden at Giverny by Unknown

    Path in Monet's Garden at Giverny

    Unknown

    Path and bushes

  • Path Through Tall Grass by Unknown

    Path Through Tall Grass

    Unknown

  • Path Through Tall Grass by Unknown

    Path Through Tall Grass

    Unknown

    Grass, poppies, people

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Bust from right center

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Total figure from left center (showing curved back, drapery)

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Head from right rear ( left profile)

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Total figure from center back

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Frontal view of seated figure, from right side

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Total from front center

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Large detail of figure from front right

  • Pauline Bonaparte-Borghese as Venus by Unknown

    Pauline Bonaparte-Borghese as Venus

    Unknown

    Half-length from front (right profile)

  • PavT de Chailly by Unknown

    PavT de Chailly

    Unknown

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    Sanctuary detail: frieze, pilaster capital, terracotta medallion of St. John (1998)

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    Total from front center in courtyard of Santa Croce (1998)

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    View up into dome of the narthex, terracotta by Luca della Robbia (1998)

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    Transverse view of the sanctuary (1998)

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    Transverse view of the narthex (1998)

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    Overall view of façade from entrance (1960s)

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    Diagonal view of the sanctuary (1998)

  • Pazzi Chapel (built as a Chapter House) by Unknown

    Pazzi Chapel (built as a Chapter House)

    Unknown

    Closer view of façade (1960s)

  • Pedestal Relief, Roman trophies of war, from Temple of Hadrian by Unknown

    Pedestal Relief, Roman trophies of war, from Temple of Hadrian

    Unknown

  • Pedestal Reliefs, Allegories of Roman provinces, from Temple of Hadrian by Unknown

    Pedestal Reliefs, Allegories of Roman provinces, from Temple of Hadrian

    Unknown

  • Peonies by Unknown

    Peonies

    Unknown

  • Peonies by Unknown

    Peonies

    Unknown

    Brushwork

  • Peplos Kore by Unknown

    Peplos Kore

    Unknown

    Total from front center view

  • Peplos Kore, Bust Detail, A by Unknown

    Peplos Kore, Bust Detail, A

    Unknown

    Bust detail of kore with her head and chest in frame, slightly left view

  • Peplos Kore, Bust Detail, B by Unknown

    Peplos Kore, Bust Detail, B

    Unknown

    Closer bust detail of kore with her head in frame, slightly left view

  • Peplos Kore, Right Rear by Unknown

    Peplos Kore, Right Rear

    Unknown

    3/4 length from right rear

  • Peplos Kore, Upper Portion by Unknown

    Peplos Kore, Upper Portion

    Unknown

    Upper portion including torso and bust of the statue from a frontal view

  • Perseus Freeing Andromeda by Unknown

    Perseus Freeing Andromeda

    Unknown

  • Perseus Freeing Andromeda by Unknown

    Perseus Freeing Andromeda

    Unknown

    Andromeda and Perseus

  • Perseus Trampling Medusa and Exhibiting Her Severed Head by Unknown

    Perseus Trampling Medusa and Exhibiting Her Severed Head

    Unknown

    Full length figure from left lower front

  • Perseus Trampling Medusa and Exhibiting Her Severed Head by Unknown

    Perseus Trampling Medusa and Exhibiting Her Severed Head

    Unknown

    Full length front center: figure

  • Perseus Trampling Medusa and Exhibiting Her Severed Head by Unknown

    Perseus Trampling Medusa and Exhibiting Her Severed Head

    Unknown

    Detail of pedestal

  • Piazza del Campidoglio by Unknown

    Piazza del Campidoglio

    Unknown

    Total view of stairs adjacent to Museo Capitolino

  • Piazza del Campidoglio by Unknown

    Piazza del Campidoglio

    Unknown

    General view into piazza from northeast

  • Piazza del Campidoglio by Unknown

    Piazza del Campidoglio

    Unknown

    Total view of stairs adjacent to Palazzo dei Conservatori

  • Piazza del Campidoglio by Unknown

    Piazza del Campidoglio

    Unknown

    General view down the Cordonata toward W

  • Piazza del Campidoglio by Unknown

    Piazza del Campidoglio

    Unknown

    General view of portico w. colossal Roman sculpture from behind

  • Piazza delle Erbe by Unknown

    Piazza delle Erbe

    Unknown

    Overall view w. Arcade (right)

  • Piazza San Marco by Unknown

    Piazza San Marco

    Unknown

    Overall view northwest from the terrace of the Duomo

  • Piazza S. Trinita by Unknown

    Piazza S. Trinita

    Unknown

    Closer view of Justice and upper story of Palace

  • Piazza S. Trinita by Unknown

    Piazza S. Trinita

    Unknown

    View of ancient Roman column (fr. Baths of Caracalla) and Justice, medieval Pal. Spini-Feroni (1289)

  • Pieta by Unknown

    Pieta

    Unknown

    Principal detail of Mary holding Christ

  • Pieta by Unknown

    Pieta

    Unknown

    Detail at lower right

  • Pilgrimage to Cythera by Unknown

    Pilgrimage to Cythera

    Unknown

    Couples embarking

  • Pilgrimage to Cythera by Unknown

    Pilgrimage to Cythera

    Unknown

    Three central couples

  • Pilgrimage to Cythera by Unknown

    Pilgrimage to Cythera

    Unknown

    Couple with dog

  • Pilgrimage to Cythera by Unknown

    Pilgrimage to Cythera

    Unknown

  • Pilgrimage to Cythera by Unknown

    Pilgrimage to Cythera

    Unknown

    Couple at right, garment

  • Pilgrimage to Cythera by Unknown

    Pilgrimage to Cythera

    Unknown

    Couple dancing

  • Pilgrimage to Cythera by Unknown

    Pilgrimage to Cythera

    Unknown

    Couple at statue

  • Pilgrim Church of Vierzehnheiligen by Unknown

    Pilgrim Church of Vierzehnheiligen

    Unknown

    Overall view of Nave and Chapel

  • Pink Church in the Snow by Unknown

    Pink Church in the Snow

    Unknown

  • Pink Church in the Snow by Unknown

    Pink Church in the Snow

    Unknown

    Church, tree, mother, daughter

  • Piraeus Stele of Maid and Mistress by Unknown

    Piraeus Stele of Maid and Mistress

    Unknown

    Full length from front

  • Piraeus Stele of Maid and Mistress, Maid Detail by Unknown

    Piraeus Stele of Maid and Mistress, Maid Detail

    Unknown

    Detail of the maid

  • Piraeus Stele of Maid and Mistress, Mistress Detail by Unknown

    Piraeus Stele of Maid and Mistress, Mistress Detail

    Unknown

    Detail of the mistress

  • Plain Near Auvers (detail) by Unknown

    Plain Near Auvers (detail)

    Unknown

    In Auvers, Van Gogh choose to paint a large number of landscapes on canvases . A letter to Theo describes the sadness and loneliness he wished these paintings to express, but also his desire to show how 'healthy and heartening' he found the countryside.

  • Planers of Parquet Floor (detail) The Floor Scrapers by Unknown

    Planers of Parquet Floor (detail) The Floor Scrapers

    Unknown

    Upon his untimely death in 1894 at the age of 46, Gustave Caillebotte willed to the Louvre, paintings on the highest level, by his friends the artists: Edouard Manet, Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Paul Cezanne, Camille Pissarro, Alfred Sisley, and Berthe Morisot. To its shame The Louvre caved in to the power of the Salon, local artworld politics that brought pressure to bear against the bequest and refused to accept the paintings, thus depriving itself to this day of the single greatest collection of Impressionist paintings in the world. To its credit eventually the Louvre agreed to accept part of the bequest. (Ronnie Landfield)....via Caillebotte's heirs through the intermediary of Auguste Renoir.

  • Planers of Parquet Floor The Floor Scrapers by Unknown

    Planers of Parquet Floor The Floor Scrapers

    Unknown

    Upon his untimely death in 1894 at the age of 46, Gustave Caillebotte willed to the Louvre, paintings on the highest level, by his friends the artists: Edouard Manet, Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Paul Cezanne, Camille Pissarro, Alfred Sisley, and Berthe Morisot. To its shame The Louvre caved in to the power of the Salon, local artworld politics that brought pressure to bear against the bequest and refused to accept the paintings, thus depriving itself to this day of the single greatest collection of Impressionist paintings in the world. To its credit eventually the Louvre agreed to accept part of the bequest. (Ronnie Landfield)....via Caillebotte's heirs through the intermediary of Auguste Renoir.

  • Ploughing in Nivernais (detail) by Unknown

    Ploughing in Nivernais (detail)

    Unknown

    Bonheurrepresents animals as they really are, as she saw them in the country. Her gift of accurate observation was, however, allied to a certain dryness of style in painting; she often failed to give a perfect sense of atmosphere. On the other hand, the anatomy of her animals is always faultlessly true. There is nothing feminine in her handling; her treatment is always manly and firm. Nivernais was a formerly a province of central France near the city of Nevers.

  • Ploughing in the Nivernais Region (detail) by Unknown

    Ploughing in the Nivernais Region (detail)

    Unknown

    Bonheur's informed and sympathetic pictures of animal life were remarkably enlightened in approach. They gained her wide popularity, particularly in England and America, where much of her work is to be seen. Bonheur's informed and sympathetic pictures of animal life were remarkably enlightened in approach. They gained her wide popularity, particularly in England and America, where much of her work is to be seen.

  • Ploughing in the Nivernais Region (detail) by Unknown

    Ploughing in the Nivernais Region (detail)

    Unknown

    Bonheur's informed and sympathetic pictures of animal life were remarkably enlightened in approach. They gained her wide popularity, particularly in England and America, where much of her work is to be seen. Bonheur's informed and sympathetic pictures of animal life were remarkably enlightened in approach. They gained her wide popularity, particularly in England and America, where much of her work is to be seen.

  • Pont du Gard, A by Unknown

    Pont du Gard, A

    Unknown

    General view of structure from West

  • Pont du Gard, B by Unknown

    Pont du Gard, B

    Unknown

    Central four bays from West view

  • Pont du Gard, C by Unknown

    Pont du Gard, C

    Unknown

    Raking view of central arches

  • Pont du Gard, D by Unknown

    Pont du Gard, D

    Unknown

    Bottom and middle central arches with people for scale, from West

  • Pont du Gard, E by Unknown

    Pont du Gard, E

    Unknown

    Central two bays, view upward, from West

  • Pont du Gard, F by Unknown

    Pont du Gard, F

    Unknown

    General raking view of all three tiers, from Southwest

  • Pont du Gard, G by Unknown

    Pont du Gard, G

    Unknown

    Central arches from Southwest

  • Pope Boniface VIII Caitani (r.1294-1303) by Unknown

    Pope Boniface VIII Caitani (r.1294-1303)

    Unknown

    Half length front left front

  • Pope Boniface VIII Caitani (r.1294-1303) by Unknown

    Pope Boniface VIII Caitani (r.1294-1303)

    Unknown

    Front center

  • Pope Boniface VIII Caitani (r.1294-1303) by Unknown

    Pope Boniface VIII Caitani (r.1294-1303)

    Unknown

    Total from front right

  • Pope Liberius Founding Santa Maria Maggiore by Unknown

    Pope Liberius Founding Santa Maria Maggiore

    Unknown

    Central detail

  • Pope Liberius Founding Santa Maria Maggiore by Unknown

    Pope Liberius Founding Santa Maria Maggiore

    Unknown

    Christ and the Virgin

  • Poplars on a Hill Poplars at Saint-Remy by Unknown

    Poplars on a Hill Poplars at Saint-Remy

    Unknown

    When van Gogh began experiencing prolonged seizures in 1889, he committed himself to an asylum in Saint-Remy. There he sometimes painted the fields and landscape visible through his window. Anxious about the recurrence of his illness, he made even bolder expressions of his feelings of nature. In Poplars at Saint-Remy, each brushstroke is like a broad, thick mosaic tile fitted into place. The trees tilting to the right seem to be walking up the hill with an instability that animates the entire composition.

  • Poppies by Unknown

    Poppies

    Unknown

  • Poppies by Unknown

    Poppies

    Unknown

    Girl in field of poppies

  • Porta della Carta, Doge's Palace by Unknown

    Porta della Carta, Doge's Palace

    Unknown

    Close-up of Doge Francesco Foscari, 1885, by L. Ferrari to replace orig. destroyed in 1797 and lion of St. Mark

  • Porta della Carta, Doge's Palace by Unknown

    Porta della Carta, Doge's Palace

    Unknown

    Detail view above portal with Doge and the lion of St. Mark and window treatment

  • Porta del Popolo by Unknown

    Porta del Popolo

    Unknown

    Overall view of Piazza del Popolo w. Porta and Obelisk

  • Porta del Popolo by Unknown

    Porta del Popolo

    Unknown

    Close-up detail of inscription near top

  • Porta del Popolo by Unknown

    Porta del Popolo

    Unknown

    Closer view of entrance gate

  • Porta del Popolo by Unknown

    Porta del Popolo

    Unknown

    Overall view of portal (N side)

  • Porta Pia by Unknown

    Porta Pia

    Unknown

    Total view of main portal

  • Porta Pia by Unknown

    Porta Pia

    Unknown

    Detail view of upper register w. inscription of Popes Pius IV and Pius IX

  • Porta Pia by Unknown

    Porta Pia

    Unknown

    Diagonal view of main portal with inscription of Pope Pius IV

  • Porta Pia by Unknown

    Porta Pia

    Unknown

    Detail of manneristic window and door surrounds

  • Porta Pia by Unknown

    Porta Pia

    Unknown

    General view from Via XX Settembre

  • Portland Public Services Building by Unknown

    Portland Public Services Building

    Unknown

  • Portrait: Dr. Paul Gachet, the Doctor (detail) Portrait of Doctor Gachet by Unknown

    Portrait: Dr. Paul Gachet, the Doctor (detail) Portrait of Doctor Gachet

    Unknown

    The Portrait of Doctor Gachet is one of Van Gogh's most famous paintings. It's notable for a number of reasons. It was painted in the last few months of Vincent's life and the subject has been the focus of a great deal of controversy. How competent was Doctor Gachet? What did Vincent mean when he wrote to Theo "First of all, he is sicker than I am, I think, or shall we say just as much"

  • Portrait Head: Bald-headed Man with White Eyes by Unknown

    Portrait Head: Bald-headed Man with White Eyes

    Unknown

    Total from front left

  • Portrait Head: Bald-headed Man with White Eyes by Unknown

    Portrait Head: Bald-headed Man with White Eyes

    Unknown

    Front center

  • Portrait Head of a Man by Unknown

    Portrait Head of a Man

    Unknown

    Total from front

  • Portrait Head of a Man by Unknown

    Portrait Head of a Man

    Unknown

    Total from right

  • Portrait Head of a Man by Unknown

    Portrait Head of a Man

    Unknown

    Total from front

  • Portrait Head of a Man by Unknown

    Portrait Head of a Man

    Unknown

    Total from left

  • Portrait Head of a Man by Unknown

    Portrait Head of a Man

    Unknown

    Total from front left

  • Portrait Head of Michelangelo by Unknown

    Portrait Head of Michelangelo

    Unknown

 

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