Art and Art History Collection (Saskia)
The Art and Art History Collection from Saskia Ltd., Cultural Documentation features a wide range of digital images with an emphasis on the history of Western art. There are 3,645 images in this collection. Image sets include: The Dresden Collection, Brueghel and Rubens, Ancient Greek Art (Architecture and Sculpture), Ancient Art (Minoan and Roman), Roman Art, Michelangelo, Italian Renaissance, Realism, Impressionism, Post-Impressionism, and Contemporary Architecture. Images from art history textbooks include: Gardner, Expanded Gardner, Stokstad, Gilbert, Hartt, Cunningham, and Reich.
Access note: Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN. For more information or to report technical issues please contact us.
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On the Beach: Mme E. Manet, EugFne Manet (wife and brother of the painter)
Unknown
Artist's wife, brushwork
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On the Beach: Mme E. Manet, EugFne Manet (wife and brother of the painter)
Unknown
Artist's brother, brushwork
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Orchestra of the Opera (detail) The Orchestra at the Opera House
Unknown
Both Edgar Degas and Henri Toulouse-Lautrec used the same bassoonist, D
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Painted Chest, from Tomb of Tutankhamen
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Total of long side. On panels: king--in chariot, attacking his enemies
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Palace of Domitian by Rubirius. 'Domus Augustana' (southern) portion
Unknown
Close-up of elaborate marble cornice
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Palace of Domitian by Rubirius. Gardens of the so-called Stadium
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Detail of arch order on W side
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Palace of Domitian by Rubirius. Gardens of the so-called Stadium
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View of buildings on E side
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Palace of Minos at Knossos
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View within Palace toward N Lustral Basin and North Porttico. View N (1994)
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Palace of Minos at Knossos
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Palace fr S, with South Propylaeum at left, "horns of consecration" at center (1994)
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Palace of Minos at Knossos
Unknown
Upper level, SE Wing, King's Hall above Hall of the Double Axes. View SE (1994)
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Palace of Minos at Knossos
Unknown
Magazines/storage room, with pithoi, ground floor of West wing (1994)
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Palace of Minos at Knossos
Unknown
Grand Staircase of the E Wing, upper level: Hall of the Royal Guard (1994)
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Palace of Minos at Knossos
Unknown
General view: site & Palace complex from the hill, Hagios Elias. View WNW
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Palace of Minos at Knossos
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N Portico seen from the N Pillar Hall, w North Lustral Basin beyond. View W (1994)
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Palace of Minos at Knossos
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Theater at NW corner, w N Lustral Basin&Palace beyond. View SE from Royal Road (1994)
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Palace of Minos at Knossos
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View with Palace toward "horns of consecration" and South Propylaeum. View S (1994)
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Palace of Minos at Knossos
Unknown
Closer view: site, Palace complex from the hill. Hagios Elias. View W
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Palace of Minos at Knossos
Unknown
Anteroom to the Throne Room, w wooden throne replica&porphory basin for ritual cleansing (1994)
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Palace of Minos at Knossos
Unknown
General view: site, Palace complex from the hill, Hagios Elias. View W
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Palace of Minos at Knossos
Unknown
SE corner of Palace, toward S Vestibule, Hall of the Double Axes. View N (1994)
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Palace of Minos at Knossos
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Exterior walls, SE portion of Palace, outside Hall of the Double Axes. View SW (1994)
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Palace of Minos at Knossos
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Lower Story, W Wing, with magazines/store rooms&Pithoi vessels, view NW (1994)
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Palace of Versailles
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Hall of Mirrors, raking view of exterior wall w windows and candelabras
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Palace of Versailles
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Royal Chapel, Interior, 1678-79, compl. After 1708 (ceiling decorations by A. COYPEL)
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Palace of Versailles
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Hall of Mirrors. Elaborate ceiling and wall decorations by Charles LeBrun
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Palace of Versailles
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Det: Salon of War, w decorative details by LeBrun and Coyseveaux's Louis XIV on Horseback
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Pala di San Cassiano Madonna with the Saints Nicholas of Bari, Anastasia, Ursula and Dominic
Unknown
It was at the Neapolitan court of the Anjou Kings that Antonello came into contact with Franco-Flemish art and the new technique of oil painting. With this altarpiece for the Church of San Cassiano in Venice, Antonello introduced oil technique to northern Italy. What is today just a fragment was originally a high, rectangular panel with eight saints painted full length in a church interior on either side of the Madonna and grouped in a Santa Conversazione. The subtly applied colours better rendered the image of material substance. The Pala of San Cassiano was admired not only by Antonellos contemporaries; its lasting influence on Venetian painting extended from Bellini all the way to Titian.
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Palazzo dei Conservatori
Unknown
Overall view of fatade and Piazza Campidoglio from salon of Museo Capitolino
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Palazzo dei Senatori, Piazza Campidoglio
Unknown
General view of fatade, stairway and colossal statues
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Palazzo Pubblico
Unknown
View of Cappella di Piazza, 1352-76. Commemorating delivery from the plague of 1348
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Palazzo Vendramin-Calergi
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Detail view of upper fatade showing cornice, window treatment and ornamentation
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Pallas and the Centaur (detail)
Unknown
The strong and vigorous figure of Pallas can be traced back to classical sculpture and the Roman sarcophagus which inspired the face of the centaur has been identified.
