Art and Art History Collection (Saskia)
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
In the early 1630s Heda began to use the compositional structures. He placed the white tablecloth on the left or right-hand edge of the table, so that the middle of the table is not covered and is no longer symmetric. In subsequent 'banketjes' (banquet pieces), the tablecloth was pushed further and further aside - as early as 1638 in Heda's paintings - until it was actually crumpled. Whereas for quite some time food was shown as almost untouchable, precious and just for display, increasing traces of consumption are now visible. The objects were no longer merely intended to embody status-defining values, but became evidence of spontaneous acts which disrupted the festive structures of the framework.
Keywords
Dresden, Germany, Netherlands, Style: Dutch Baroque Era, School: Dutch Baroque, Movement: Baroque, oil paintings --, still lifes --
Geographic Location
Dresden, Germany; Netherlands
Time Period
1631
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Pictures
Holding Location
University of South Florida
Identifier
A01-MHF1236
Recommended Citation
Unknown, "Breakfast Still Life with Blackberry Pie" (2022). Art and Art History Collection (Saskia). 2481.
https://digitalcommons.usf.edu/saskia/2481