Sacred Leaves Manuscript Collection
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Leaf from Biblia Latina with Commentary by Nicholas of Lyra, Recto
Unknown
This leaf comes from a quarto edition of the Vulgate, printed in 1497. The text is surrounded with commentary by the Franciscan friar Nicholas of Lyra.
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Leaf from Biblia Latina with Commentary by Nicholas of Lyra, Verso
Unknown
This leaf comes from a quarto edition of the Vulgate, printed in 1497. The text is surrounded with commentary by the Franciscan friar Nicholas of Lyra.
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Leaf from Stultifera Navis, Recto
Unknown
The Stulifera navis, or Ship of Fools, is a didactic satire that narrates the journey of 112 fools to the paradise of fools, "Narragonia."
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Leaf from Stultifera Navis, Verso
Unknown
The Stulifera navis, or Ship of Fools, is a didactic satire that narrates the journey of 112 fools to the paradise of fools, "Narragonia."
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Leaf from Obsidionis Rhodiae Urbis Descriptio by Guillaume Caoursin, Recto
Guillame Caoursin
Considered one of the first contemporary historical narratives, Guillame Caoursin's Obsidionis Rhodiae urbis descriptio chronicles the siege of Rhodes in 1480.
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Leaf from Obsidionis Rhodiae Urbis Descriptio by Guillaume Caoursin, Verso
Unknown
Considered one of the first contemporary historical narratives, Guillame Caoursin's Obsidionis Rhodiae urbis descriptio chronicles the siege of Rhodes in 1480.
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Leaf from Summa de Casibus Conscientiae (or Summa Angelica) by Carletti de Chivasso, Recto
Carletti de Chivasso
These leaves come from the summa de Casibus Conscientiae, written by the fifteenth-century theologian Carletti de Chivasso (1411-1495). A dictionary of moral theology, the summa became Carletti's most well-known work and subsequently was referred to as the summa angelica.
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Leaf from Summa de Casibus Conscientiae (or Summa Angelica) by Carletti de Chivasso, Verso
Carletti de Chivasso
These leaves come from the summa de Casibus Conscientiae, written by the fifteenth-century theologian Carletti de Chivasso (1411-1495). A dictionary of moral theology, the summa became Carletti's most well-known work and subsequently was referred to as the summa angelica.
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Leaf from Hortus Sanitatis, Recto
Unknown
The Hortus sanitatis (Garden of Health) is an encyclopedia on the medicinal properties of plants compiled from several classical authors, including Galen, Albertus Magnus, and most notably the first-century Greek author Dioscorides.
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Leaf from Hortus Sanitatis, Verso
Unknown
The Hortus sanitatis (Garden of Health) is an encyclopedia on the medicinal properties of plants compiled from several classical authors, including Galen, Albertus Magnus, and most notably the first-century Greek author Dioscorides.
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Leaf from Legenda Aurea Sanctorum by Jacobus de Voragine, 1488, Recto
Jacobus de Voragine
This leaf comes from the luxury edition of the Legenda aurea printed by Anton Koberger in 1488. The edition contains 250 woodcut illustrations each designed in a narrow rectangle and spread across two colomns of text.
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Leaf from Legenda Aurea Sanctorum by Jacobus de Voragine, 1488, Verso
Jacobus de Voragine
This leaf comes from the luxury edition of the Legenda aurea printed by Anton Koberger in 1488. The edition contains 250 woodcut illustrations each designed in a narrow rectangle and spread across two colomns of text. The hand-colored woodcut depicts the martyrdom of Saint Quiricaus, a bishop and priest from Ostia, Italy, persecuted under Alexander Severus in 235 C.E.
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Leaf from Opera by Jean Gerson, Recto
Jean Gerson
This leaf comes from volume 2 of Jean Gerson's three-volume Opera, printed by Johann Grüninger in 1488. This particular copy remains unfinished, as evidenced by the lack of hand-colored initials over the guide letters.
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Leaf from Opera by Jean Gerson, Verso
Jean Gerson
This leaf comes from volume 2 of Jean Gerson's three-volume Opera, printed by Johann Grüninger in 1488. This particular copy remains unfinished, as evidenced by the lack of hand-colored initials over the guide letters.
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Arbor Vitae Crucifixae Jesu by Ubertino de Casale, Recto
Ubertino de Casale
The Arbor vitae crucifixae Jesu, written by the Franciscan monk Ubertino de Casale, is a meditation on the Passion of Christ, written in 1305. The Arbor vitae criticizes the church's organization and the established Franciscan Orders' less than stringent view on mendicant life. This text, printed in 1485 in Venice, is the only fifteenth-century edition of the work.
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Arbor Vitae Crucifixae Jesu by Ubertino de Casale, Verso
Ubertino de Casale
The Arbor vitae crucifixae Jesu, written by the Franciscan monk Ubertino de Casale, is a meditation on the Passion of Christ, written in 1305. The Arbor vitae criticizes the church's organization and the established Franciscan Orders' less than stringent view on mendicant life. This text, printed in 1485 in Venice, is the only fifteenth-century edition of the work.
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Leaf from Summa Praedicantium, Recto
John Bromyard
This leaf is from John Bromyard's Summa Praedicantium (Encyclopedia of Preaching), an alphabetically arranged encyclopedia of his sermons from 1330 to 1350.
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Leaf from Summa Praedicantium, Verso
John Bromyard
This leaf is from John Bromyard's Summa Praedicantium (Encyclopedia of Preaching), an alphabetically arranged encyclopedia of his sermons from 1330 to 1350.
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Leaf from Biblia Germanica, 1483, Recto
Unknown
This leaf contains the text of Ezekiel, chapters twelve through fourteen. It comes from a German edition of the Bible printed by Anton Koberger.
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Leaf from Biblia Germanica, 1483, Verso
Unknown
This leaf contains the text of Ezekiel, chapters twelve through fourteen. It comes from a German edition of the Bible printed by Anton Koberger.
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Leaf from Biblia Germanica, 1480, Recto
Unknown
This leaf from a German Bible, contains the first three chapters of the book of Hosea.
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Leaf from Biblia Germanica, 1480, Verso
Unknown
This leaf from a German Bible, contains the first three chapters of the book of Hosea.
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Leaf from Legenda Aurea Sanctorum by Jacobus de Voragine, 1480, Recto
Jacobus de Voragine
This leaf comes from an edition of the popular Legenda aurea sanctorum and includes hand-colored woodblock images. The German edition of the Legenda was printed in 1480 in Augsburg by Johann Bambler.