Submissions from 1999
Jane Colden., Thomas Hallock
Narrative, nature and cultural contact in John Bartram’s Observations., Thomas Hallock
Stripping a cabinet., Thomas Hallock
'Supernatural, or at Least Romantic': The Ancient Mariner and Parody, Steven E. Jones
Bronze by Gold by Bloom: Echo, the Invocatory Drive, and the 'Aurteur' in "Sirens", Susan Mooney
Using MOOs to Develop Learning Communities, Joseph M. Moxley
Like the lover's pinch, which hurts and is desired': The narrative of male masochism and Shakespeare's Antony and Cleopatra., Lisa S. Starks
The displaced body of desire: Sexuality in Kenneth Branagh's Hamlet., Lisa S. Starks
Submissions from 1998
The Year's Work in Old English Studies 1996, Richard Abels, John D. Cormican, Susan E. Deskis, Nicole Guenther Discenza, Janet S. Ericksen, R D. Fulk, Timothy Graham, J R. Hall, David F. Johnson, Catherine E. Karkov, Theodore H. Leinbaugh, Roy M. Liuzza, Paul G. Remley, Mary P. Richards, Kathleen D. Turner, and Kelley Wickham-Crowley
Spike Lee’s 4 Little Girls: Remembering Birmingham., Julie Buckner Armstrong
"Wise wealhstodas": The Prologue to Sirach as a Model for Alfred's Preface to the Pastoral Care, Nicole Guenther Discenza
The Canon, The Web, and the Digitization of Romanticism, Neil Fraistat, Steven E. Jones, and Carl Stahmer
Review of the book Authority and female authorship in Colonial America., Thomas Hallock
Review of the book Pioneer women: The lives of women on the frontier., Thomas Hallock
Cultural politics--queer reading, by A. Sinfield. Review., Lisa S. Starks
‘Won with thy words and conquered with thy looks’: Sadism, masochism, and the masochistic gaze in 1 Tamburlaine., Lisa S. Starks
Submissions from 1997
Review of What Else But Love? The Ordeal of Race in Faulkner and Morrison., Julie Buckner Armstrong
The Year's Work in Old English Studies 1995, John D. Cormican, Susan E. Deskis, Nicole Guenther Discenza, Janet S. Ericksen, R D. Fulk, Timothy Graham, J R. Hall, David F. Johnson, Catherine E. Karkov, Theodore H. Leinbaugh, Roy M. Liuzza, Matthew Marino, David A E Pelteret, Paul G. Remley, Mary P. Richards, Kathleen D. Turner, and Kelley Wickham-Crowley
Power, Skill and Virtue in the Old English Boethius, Nicole Guenther Discenza
Literary recipes from the Lewis and Clark journals: The epic design and wilderness tastes of early national nature writing., Thomas Hallock
Review of the book The Peale family: Creation of an American legacy, 1770-1870. Philadelphia Museum of Art, 3 November - 5 January 1997., Thomas Hallock
Review of the book Undaunted Courage: Meriwether Lewis, Thomas Jefferson, and the Opening of the American West., Thomas Hallock
Representing Rustics: Satire, Counter-Satire, and Emergent Romanticism, Steven E. Jones
The Black Dwarf as Satiric Performance, Steven E. Jones
The Book of Myst in the Late Age of Print, Steven E. Jones
Introduction to "Voices & Visions: Refiguring Ethnography in a Postmodern Era", Cristina Kirklighter, Cloe Vincet, and Joseph M. Moxley
An interview with Michael Maloney., Lisa S. Starks
'Batter my [flaming] heart': Male masochism in religious lyrics of Donne and Crashaw., Lisa S. Starks
Educating Eliza: Fashioning the model woman in the Pygmalion film., Lisa S. Starks
Introduction. Shakespeare and film: Adaptations., Lisa S. Starks
Introduction. "Shakespeare and film: Derivatives and variations., Lisa S. Starks
The veiled (hot) bed of race and desire: Parker's Othello and the stereotype as screen fetish., Lisa S. Starks
Submissions from 1996
The romance of recovery in Hawthorne, Faulkner, and Morrison. (Doctoral dissertation)., Julie Buckner Armstrong
Conversations about conversations about conversations: A review of Beth Baldwin's Conversations., S. Morgan Gresham and Mike Jackman
Review of the book More Letters from an American Farmer: An Edition of the Essays in English Left Unpublished, Thomas Hallock
Feminism and the postmodern impulse: post-World War II fiction., Magali C. Michael
Finding Our Inner Voices: Rediscovering Scholarship, Joseph M. Moxley
If Not Now, When?, Joseph M. Moxley
Why Use Computerized Databases?, Joseph M. Moxley
Introduction to "Writing and Publishing for Academic Authors, Second Editon", Joseph M. Moxley and Todd Taylor
Author’s Guide to Scholarly Publishing, Diane Peterson and Joseph M. Moxley
As She Likes It: Shakespeare's Unruly Women, by P. Gay. Review., Lisa S. Starks
From stage to screen: Sadistic desire, identification, and spectatorship in the Cibber/Olivier tradition of Richard III. Abstract., Lisa S. Starks
Submissions from 1995
Natural history, exploration and the boundaries of literature in the early American republic., Thomas Hallock
Natural history, exploration and the boundaries of literature in the early American republic., Thomas Hallock
Material Intertextuality: The Case of Shelley's Rough-Draft Notebooks, Steven E. Jones
Shelley’s Mask and Brecht’s Zug, Steven E. Jones
Introduction to "The Politics and Processes of Scholarship. Greenwood Publishing Group", Joseph M. Moxley and Lagretta T. Lenker
The Politics And Processes Of Scholarship , Joseph M. Moxley and Lagretta T. Lenker
Gendered Strategies in the Criticism of Early Fiction, Laura Runge
Lady Mary Wortley Montagu and the Eighteenth-Century Familiar Letter by Cynthia Lowenthal , Laura Runge
Satire and Sentiment, 1660-1830 by Claude Rawson , Laura Runge
The Erotics of shame: Hyper-masculinity, male masochism, and circulations of sexuality in Shakespeare’s Antony and Cleopatra. Abstract., Lisa S. Starks
On Reviewing Electronic Discussions in Composition Studies, Todd Taylor and Joseph M. Moxley
Submissions from 1994
Images of goddesses and goddess worship: The use of feminist spirituality in the works of Audre Lorde, Ntozake Shange, and Alice Walker., S. Morgan Gresham
"Choose Reform or Civil War": Shelley, the English Revolution, and the Problem of Succession, Steven E. Jones
Shelley's Satire: Violence, Exhortation, and Authority, Steven E. Jones
The Bodleian Shelley Manuscripts XVII: Drafts for “Laon and Cythna”, Steven E. Jones
Angela Carter’s “Nights at the Circus:” An engaged feminism via subversive postmodern strategies., Magali C. Michael
The political paradox within Don De Lillo’s Libra., Magali C. Michael
Woolf’s Between the Acts and Lessing’s The Golden Notebook: From modern to postmodern subjectivity., Magali C. Michael
Becoming an Academic Writer: A Modern Rhetoric, Joseph M. Moxley
Creativity Research and Classroom Practice, Linda Sarbo and Joseph M. Moxley
Hyper-feminisms: Post-structuralist theories, popular culture, and pedagogy, Lisa S. Starks
Hyper-masculinity, male masochism, and circulations of sexuality in Shakespeare's Antony and Cleopatra. Abstract., Lisa S. Starks
New Apartheids: Reversal, simplification, and misogyny in Derek Jarman's Edward II. Abstract., Lisa S. Starks
Submissions from 1993
Intertextual Influences in Byron's Juvenalian Satire, Steven E. Jones
Reconstructing Romantic Satire, Steven E. Jones
Shelley's "Love, The Universe": A Fragment in Context, Steven E. Jones
Reinventing the Wheel or Teaching the Basics: College Writers' Knowledge of Argumentation, Joseph M. Moxley
Teaching Legal Writing, Joseph M. Moxley and Fredric Gale
"The Softness of Expression and the Smoothness of Measure": A Model of Gendered Decorum from Dryden's Criticism, Laura Runge
Submissions from 1992
So neatly plotted, and so well perform'd: Villain as Playwright in Marlowe's Jew of Malta, Sara Munson Deats and Lisa S. Starks
How to Write the Winning Brief, Fredric Gale and Joseph M. Moxley
Don’t Perish: The Scholar’s Guide to Academic Writing & Publishing, Joseph M. Moxley
Publish Don't Perish, Joseph M. Moxley
Teachers' Goals and Methods of Responding to Student Writing, Joseph M. Moxley
All Before Them: English Literature and the Wider World, Volume I 1660-1780 Ed. John McVeagh, Laura Runge
Submissions from 1991
Symposium on Creative Writing in the K-12 Curriculum, Joseph M. Moxley
Altars to attics: The madwoman's point of view., Lisa S. Starks
Submissions from 1990
Apostasy and Exhortation: Shelley's Satirical Fragments in the Huntington Notebooks, Steven E. Jones
The Bodleian Shelley Manuscripts XV: The Julian and Maddalo Draft Notebook, Steven E. Jones
Creative Writing and Composition: Bridging the Gap, Joseph M. Moxley
The English Department Chair: Scholar or Bureaucrat?, Joseph M. Moxley and Gary A. Olson
Walls, Laura Runge and Adonis Ali Torres
Submissions from 1989
A Writing Program Certain to Succeed, Joseph M. Moxley
Creative Writing in America: Theory and Pedagogy, Joseph M. Moxley
Preface to "Creative Writing in America: Theory and Pedagogy", Joseph M. Moxley
Responding to Student Writing: Goals, Methods, Alternatives, Joseph M. Moxley
Tearing Down the Walls: Engaging the Imagination, Joseph M. Moxley
The Role of the Modern English Department Chair, Joseph M. Moxley and Gary A. Olson
Directing Freshman English: The Limits of Authority, Gary A. Olson and Joseph M. Moxley
The Freshman English Director: Who Really Has Control, Gary A. Olson and Joseph M. Moxley
Barabas and Iago: The villain as playwright in Renaissance drama. Abstract., Lisa S. Starks
Submissions from 1988
Shelley's Fragment of a "Satire upon Satire": A Complete Transcription of the Text with Commentary, Steven E. Jones
Submissions from 1987
Who is Sarah?: A critique of the French Lieutenant’s Woman’s feminism., Magali C. Michael
Uninvolved = Poor Writers, Joseph M. Moxley
Submissions from 1986
Basic Organizing Strategies, Joseph M. Moxley
Commentary: The Myth of the Technical Audience, Joseph M. Moxley
