Art and Art History Collection (Saskia)
Files
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
The face is characterized by an interest in converging planes. The eyes and mouth occupy hollows which emphasize these features, separated by strongly protruding cheeks and a broad nose. The details are so close to the face of the Rampin Horseman that the two are often attributed to the same sculptor. If true, she must be one of his late works, for she is stylistically much advanced. The mouth, though retaining the up-lifted corners of an archaic smile, is now much softer, more relaxed, less triangular in form. The more developed form of the eyes corresponds to the equally developed forms of the body. Stylistically she is more advanced than the caryatids from Delphi and is approximately contemporary with the Siphnian Treasury there.
Keywords
Athens, Acropolis, west of the Erechtheum (in 1886), Style: High Archaic, Period: Greek Archaic Period, Group: High Archaic, Sculpture; Statue of maiden; chiton; maiden; peplos; stephane; wreath;, Statue
Geographic Location
Athens, Acropolis, west of the Erechtheum (in 1886)
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Statues; Pictures
Holding Location
University of South Florida
Identifier
A01-JGC0408
Recommended Citation
Unknown, "Peplos Kore (with traces of color)" (2022). Art and Art History Collection (Saskia). 435.
https://digitalcommons.usf.edu/saskia/435