Art and Art History Collection (Saskia)

The Bathers (Men Bathing)

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Publisher

Saskia, Ltd., Cultural Documentation

Abstract

Although Cezanne used the Impressionist techniques, he emphasized the underlying structure of the objects he painted rather than the objective vision presented by the light that emanated from them, which was the main concern of the Impressionists. Already he was composing with cubic masses and architectonic lines; his strokes, unlike those of the Impressionists, were not strewn with colour, but they complemented each other in a chromatic unity. The intelligence and the eye of the painter were able to strip away that which was diffuse and superimposed in the view of a given mass, in order to analyze its constituent elements.

Keywords

Paris, France, France, Style: French Post- Impressionist, School: Post- Impressionist, Movement: Post- Impressionism, French, Painting;, Painting

Geographic Location

Paris, France; France

Type

StillImage

Rights

This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/

Access Restrictions

Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.

Media Type

Paintings; Pictures

Holding Location

University of South Florida

Identifier

A01-PFF0355

The Bathers (Men Bathing)

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