Art and Art History Collection (Saskia)

After the Bath

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Publisher

Saskia, Ltd., Cultural Documentation

Abstract

Most of his works executed from 1883 to 1884 on are so marked by a new discipline that art historians have grouped them under the title the "Ingres" period, to signify their vague similarity with the technique of Ingres, or the "harsh," or "dry," period. Renoir's experiments with Impressionism were not wasted, however, because he retained a palette that was bursting with colours. Nevertheless, in paintings from this period, such as "The Umbrellas" (c. 1883) and "Bathers" (1884-87), Renoir emphasized volume, form, contours, and line rather than colour and brushstrokes. His strong reaction against Impressionism continued until about 1890.

Keywords

Oslo, Norway, Aix-en-Provence, France, Style: French Impressionism, Period: Ingres Period, School: Impressionist, Movement: Impressionism, French, Painting;, Paining

Geographic Location

Oslo, Norway; Aix-en-Provence, France

Type

StillImage

Rights

This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/

Access Restrictions

Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.

Media Type

Paintings; Pictures

Holding Location

University of South Florida

Identifier

A01-PFF0165

After the Bath

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