Art and Art History Collection (Saskia)
Files
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
Gauguin's break with the Impressionists came when he painted "Vision after the Sermon," where he tried to depict the inner feelings of his subjects. This painting also marked the start of a new painting style that came to be known as "Symbolism." Although this period had been highly productive for Gauguin, he was deeply depressed and in 1891 abandoned his family to seek an idyllic life in the South Pacific Islands.
Keywords
Oslo, Norway, Paris, France, Style: French Post-Impressionist, School: Post-Impressionist, Movement: Post-Impressionism, French, Painting, Painting
Geographic Location
Oslo, Norway; Paris, France
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Holding Location
University of South Florida
Identifier
A01-PFF0133
Recommended Citation
Unknown, "Mme. Mette Gauguin Seated in an Armchair (detail) Madame Mette Gauguin in Evening Dress" (2022). Art and Art History Collection (Saskia). 3091.
https://digitalcommons.usf.edu/saskia/3091