Art and Art History Collection (Saskia)
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
In February 1886 he moved to Paris, where he met Pissarro, Degas, Gauguin, Seurat, and Toulouse-Lautrec. At this time his painting underwent a violent metamorphosis under the combined influence of Impressionism and Japanese woodcuts, losing its moralistic flavour of social realism. Van Gogh became obsessed by the symbolic and expressive values of colors and began to use them for this purpose rather than, as did the Impressionists, for the reproduction of visual appearances, atmosphere, and light. `Instead of trying to reproduce exactly what I have before my eyes,' he wrote, `I use color more arbitrarily so as to express myself more forcibly'.
Keywords
Paris, France, Paris, France, Style: Dutch Post-Impressionist, School: Post-Impressionist, Movement: Post-Impressionism, Dutch, Painting;, Painting
Geographic Location
Paris, France; Paris, France
Time Period
Summer, 1887
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Holding Location
University of South Florida
Identifier
A01-NHF0055
Recommended Citation
Unknown, "Self Portrait with Hat. (detail)" (2022). Art and Art History Collection (Saskia). 2893.
https://digitalcommons.usf.edu/saskia/2893