Art and Art History Collection (Saskia)
Files
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
The Apotheosis of Homer, which hung in the same 1827 Salon as Delacroix's Death of Sarda-napalus, is the largest of Ingres's Raphaelesque paintings, but is no nearer to pastiche than any of the others. This modern version of Raphael's Parnassus not only proclaimed the stylistic values of the classical tradition but also tried to equal the iconography of The School of Athens in its reunion of great men of ancient and modern times in the realms of literature and the arts.
Keywords
Paris, France, Paris, France, Style: French Neoclassicist, School: Neoclassicist, Movement: Neoclassicism, French, Painting;, Mural
Geographic Location
Paris, France; Paris, France
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Pictures
Holding Location
University of South Florida
Identifier
A01-NFF1104A
Recommended Citation
Unknown, "Apotheosis of Homer (detail)" (2022). Art and Art History Collection (Saskia). 2859.
https://digitalcommons.usf.edu/saskia/2859
