Art and Art History Collection (Saskia)
Files
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Publisher
Saskia, Ltd., Cultural Documentation
Publication Date
January 1966
Abstract
The straw boater (hat) became synonymous with summer leisure. In the hard-scrabble, often oppressive Industrial Revolution, leisure time for many was hard to come by. Owning and wearing a straw boater was the wearer's badge that life had become more than simply hard work. Manet, as well as other artists of the time, use the boater as a symbol of the good life and the emergence of "leisure" as a right and privlage. According to various scholars the man at the tiller may be Rudolph Leenhoff, Manet's brother-in-law.The stippled parts of the painting, made up of mass color, are consistent with the concept of Impressionism, but there are touches of black present, which would have been considered a heresy by the instigators of the movement.
Keywords
New York, NY, Paris, France, Style: French Impressionist, School: Impressionist, Movement: Impressionism, French, Painting, Painting
Alt Text
A woman wearing a white hat and blue clothing, with her face partially turned away from the viewer. The background features a blurred blue and white scene.
Geographic Location
New York, NY; Paris (France)
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Identifier
A01-NFF0470
Recommended Citation
Unknown, "Boating (detail)" (1966). Art and Art History Collection (Saskia). 2741.
https://digitalcommons.usf.edu/saskia/2741
