Art and Art History Collection (Saskia)

Boating

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Publisher

Saskia, Ltd., Cultural Documentation

Abstract

The straw boater (hat) became synonymous with summer leisure. In the hard-scrabble, often oppressive Industrial Revolution, leisure time for many was hard to come by. Owning and wearing a straw boater was the wearer's badge that life had become more than simply hard work. Manet, as well as other artists of the time, use the boater as a symbol of the good life and the emergence of "leisure" as a right and privlage. According to various scholars the man at the tiller may be Rudolph Leenhoff, Manet's brother-in-law.The stippled parts of the painting, made up of mass color, are consistent with the concept of Impressionism, but there are touches of black present, which would have been considered a heresy by the instigators of the movement.

Keywords

New York, NY, Paris, France, Style: French Impressionist, School: Impressionist, Movement: Impressionism, oil paintings --

Geographic Location

New York, NY; Paris, France

Time Period

1874

Type

StillImage

Rights

This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/

Access Restrictions

Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.

Media Type

Pictures

Holding Location

University of South Florida

Identifier

A01-NFF0469

Boating

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