Art and Art History Collection (Saskia)
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
Untempted by Rome, Florence or Venice, Correggio, working in the North Italian city of Parma, maintained his originality throughout the High Renaissance and became one of the most important influences on seventeenth-century Baroque painting. However, he was receptive to the art particularly of Raphael and Leonardo: his sense of ideal beauty and the structure of his compositions owe much to Raphael, while his handling of textures and light presupposes Leonardo. In this work he uses a pyramidal composition of classic High Renaissance kind and a diagonal movement anticipating the Baroque. The beautiful landscape evokes the light of dawn, the time when Mary Magdalene met Christ by the tomb.
Keywords
Madrid, Spain, Italy, Style: Italian Mannerist, School: Mannerist, Movement: Mannerism, Italian, Painting, Painting
Geographic Location
Madrid, Spain; Italy
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Holding Location
University of South Florida
Identifier
A01-LIF1852
Recommended Citation
Unknown, "Noli me Tangere (detail)" (2022). Art and Art History Collection (Saskia). 2251.
https://digitalcommons.usf.edu/saskia/2251