Art and Art History Collection (Saskia)
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
This painting, the meaning of which has been greatly debated, marks a moment of capital importance in the renovation of the Venetian style painting, and perhaps is the most representative of the very few genuine surviving works of Giorgione.The vigour of cultural life at the beginning of the sixteenth century provided exactly the right fertile ground for the personality of Giorgione. With Giovanni Bellini and Vittore Carpaccio as examples in his early training and with his attentive interest in Northern European painting of Belgium he soon decided to attempt a naturalistic language. Colour attains to new all-important powers of expression of the poetic equivalence of man and nature in a single, fearful apprehension o,f the cosmos.
Keywords
Venice, Itlay, Style: Italian High Renaissance, School: High Renaissance, Movement: Renaissance, Venetian, Painting;, Painting
Geographic Location
Venice, Itlay
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Holding Location
University of South Florida
Identifier
A01-LIF0612
Recommended Citation
Unknown, "The Tempest (The Storm)(detail)" (2022). Art and Art History Collection (Saskia). 2111.
https://digitalcommons.usf.edu/saskia/2111