Art and Art History Collection (Saskia)
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
Crivelli's painting originally constituted the central section of a polyptych in the parish church at Porto San Giorgio, near Fermi. The crisp, sculptural forms reflect Crivelli's probable training in the humanist center of Padua. Yet the manner in which Crivelli's figures are modeled in light and shade also expresses a broader Renaissance concern with direct observation of nature. The artist's fascination with the use of chiaroscuro to create an illusion of space and tangible substance has created an overall impression of sculptured marble. Note the diminutive donor kneeling in the lower left corner and the crown which, in the order to heighten the illusion of form, has been partly modeled in low relief.
Keywords
Milan, Italy, Style: Italian Early Renaissance, School: Early Renaissance, Movement: Renaissance, Painting, Painting
Geographic Location
Milan, Italy
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Holding Location
University of South Florida
Identifier
A01-LIF0202
Recommended Citation
Unknown, "Madonna and Child Enthroned (detail) Madonna and Child Enthroned with Donor" (2022). Art and Art History Collection (Saskia). 2056.
https://digitalcommons.usf.edu/saskia/2056