Art and Art History Collection (Saskia)
Files
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
The main element of the verso consisted of fourteen panels. .Except for the Entry into Jerusalem and the Crucifixion, each panel contains two episodes. The central part of the lower row with the Agony in the Garden and Christ taken Prisoner is twice as wide as the other compartments (but the same as the Crucifixion panel) because the events portrayed are composed of different narrative units.Numerous contrasting theories have been advanced by critics for the order of interpretation, rendered problematical by the variety of New Testament sources drawn on by Duccio. It is certain that the cycle began at the bottom left and ended at the top right, proceeding from left to right first on the lower row and then on the upper.
Keywords
Sienna, Italy, Siena, Italy (Cathedral at the Piazza del Campo), Period: Italian Byzantine, School: Byzantine, Movement: Byzantine, Italian, Painting;, Painting
Geographic Location
Sienna, Italy; Siena, Italy (Cathedral at the Piazza del Campo)
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Holding Location
University of South Florida
Identifier
A01-KIF0036
Recommended Citation
Unknown, "Maesta (verso) (detail)" (2022). Art and Art History Collection (Saskia). 1529.
https://digitalcommons.usf.edu/saskia/1529