Art and Art History Collection (Saskia)
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Publisher
Saskia, Ltd., Cultural Documentation
Abstract
His altar-piece illustrates four episodes in the life of the holy founder of the mendicant order of the Franciscans (1182-1226). With some variants, the compositions are drawn from frescoes executed around 1290 (?) by the young Giotto in the upper Basilica of Assisi. Signed along the lower edge of the frame, the Louvre panel is a decisive element in the attribution of the Assisi cycle to Giotto, which was once contested. He was the first painter in the history of Western art to set figures within a coherent space and give them structural consistency.
Keywords
Paris, France, Assis, Italy (Basilica of Assisi), Style: Italian Early Renaissance, School: Early Renaissance, Movement: Renaissance, Florentine, Painting;, Painting
Geographic Location
Paris, France; Assis, Italy (Basilica of Assisi)
Type
StillImage
Rights
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Access Restrictions
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
Media Type
Paintings; Pictures
Holding Location
University of South Florida
Identifier
A01-KIF0006
Recommended Citation
Unknown, "St. Francis of Assisi Receiving Stigmata" (2022). Art and Art History Collection (Saskia). 1517.
https://digitalcommons.usf.edu/saskia/1517