Download image (4.9 MB)
Saskia, Ltd., Cultural Documentation
Giotto's altar-piece illustrates four episodes in the life of the holy founder of the mendicant order of the Franciscans (1182-1226). With some variants, the compositions are drawn from frescoes executed around 1290 (?) by the young Giotto in the upper Basilica of Assisi. Signed along the lower edge of the frame, the Louvre panel is a decisive element in the attribution of the Assisi cycle to Giotto, which was once contested. He was the first painter in the history of Western art to set figures within a coherent space and give them structural consistency.
Paris, France, Assis, Italy (Basilica of Assisi), Style: Italian Early Renaissance, School: Early Renaissance, Movement: Renaissance, Florentine, Painting;, Painting
Style: Italian Early Renaissance; School: Early Renaissance; Movement: Renaissance; Florentine; Painting;
Paris, France; Assis, Italy (Basilica of Assisi)
This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/
Only thumbnail images and descriptive information are available to non-USF users. Full access to this collection is available only to authorized users on the USF network on campus or via VPN.
University of South Florida
Art and Art History (Saskia)
Unknown, "St. Francis of Assisi Receiving Stigmata (detail)" (2022). Art and Art History Collection (Saskia). 1516.