Negotiating “A Blues Riff”: Listening for Django Reinhardt’s Place in American Jazz
Document Type
Article
Publication Date
2009
Keywords
Django Reinhardt, jazz, improvisation, blues, space, place
Digital Object Identifier (DOI)
https://doi.org/10.1080/17494060903454537
Abstract
While perhaps the most famous and adept practitioner of American jazz in Europe during the 1930s and 1940s, the Manouche gypsy guitarist Django Reinhardt was an outsider—both culturally and geographically—to American jazz. For this reason, scholars have had difficulty “placing” him securely in American jazz history. Reinhardt only visited the United States once, in 1946, as a guest of the Duke Ellington Orchestra. A recording made during that tour, “A Blues Riff,” presents the listener with a complex musical negotiation of contrasting musical and cultural values. What we hear in this performance is not just a debate over what notes to play when, but over what philosopher Henri Lefebvre calls “representational spaces,” or the imaginative, symbolic transformations of lived spatial experience. This essay argues that the task of locating Reinhardt in jazz history requires a new theoretical appreciation for the material importance of space and place in the shaping of musical performance.
Was this content written or created while at USF?
Yes
Citation / Publisher Attribution
Jazz Perspectives, v. 3, issue 3, p. 233-264
Scholar Commons Citation
Berish, Andrew S., "Negotiating “A Blues Riff”: Listening for Django Reinhardt’s Place in American Jazz" (2009). Humanities and Cultural Studies Faculty Publications. 2.
https://digitalcommons.usf.edu/hcs_facpub/2
