Abstract
This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a single-author course. While in isolation, The Blazing World allows for discussions that focus primarily on questions of gender, genre, class, and politics, read in tandem with Cavendish’s other works, in particular her philosophical writings, The Blazing World becomes a source for reflections on questions of creaturely identity, nature, and interdisciplinarity.
Keywords
Literature, Margaret Cavendish, Novel, Philosophy, Teaching
Recommended Citation
Van Elk, Martine
(2024)
"Politics, Authorship, and Philosophy: Teaching Margaret Cavendish’s The Blazing World in the Diverse Graduate Classroom,"
ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol.14: Iss.1, Article 8.
http://doi.org/10.5038/2157-7129.14.1.1346
Available at:
https://digitalcommons.usf.edu/abo/vol14/iss1/8
Included in
Dramatic Literature, Criticism and Theory Commons, Educational Methods Commons, Feminist, Gender, and Sexuality Studies Commons, Literature in English, British Isles Commons, Philosophy Commons