Volume 12, Issue 2 (2022) Winter 2022

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Hannah Humphrey, London’s Leading Caricature Printseller
Ersy Contogouris and Béatrice Denis

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Taking Chardin's Kitchen Maids Seriously
Danielle Ezor

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Postures After the Antique in Eighteenth-Century Portraits of Women
Lauren K. DiSalvo

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Cooking Up Knowledge: Materiality, Recipes, and Jane Barker’s A Patch-Work Screen for the Ladies
Carolin Boettcher

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Concise Collections: Teaching British Women Travelers
Tiffany Potter

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Teaching Eliza Fay's Original Letters from India (1817) through Classroom Editing
Lacy Marschalk

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Ripped from the Headlines: Teaching Lady Mary Wortley Montagu's Turkish Letters in the Context of 21st-century Controversies
Susan Spencer

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Teaching Mary Wollstonecraft's Travelogue of Historical Trauma
Annette Hulbert

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Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’s Letters, Journals and Watercolours from the Cape Colony (1797–1801)
Lenka Filipova

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Review of The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank
Kathleen E. Urda

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Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato
Ula E. Lukszo Klein

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Review of Female Husbands: A Trans History, by Jen Manion
Jeremy Chow

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Review of Placing Charlotte Smith, eds Elizabeth A. Dolan and Jacqueline M. Labbe
Heather Heckman-McKenna

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Review of A Revolution in Canvas: The Rise of Women Artists in Britain and France, 1760-1830, by Paris A. Spies-Gans
Gabrielle Stecher