ABO: Interactive Journal for Women in the Arts, 1640-1830 (ISSN 2157-7129) is an open access, interactive, scholarly journal, launched in 2011 by the Aphra Behn Society. The journal is supported by the University of South Florida Tampa Library. The journal focuses on gender and women’s issues, and all aspects of women in the arts in the long eighteenth century, especially literature, visual arts, music, performance art, film criticism, and production arts.
Statement of Solidarity
We at ABO: Interactive Journal for Women in the Arts, 1640-1830 strongly condemn the murder of George Floyd by Minneapolis police and our fellow Black Americans Breonna Taylor and Ahmad Aubrey, the most recent victims of the long history of brutality, hate, and systemic prejudice. Further, we condemn the legacy and language of white supremacy that has de-centered the lives, experiences, knowledge, and creative contributions of Black men and women to American history and culture. We affirm our strong support for all our Black brothers and sisters and all who have been victimized and marginalized due to ignorance and discrimination. We also believe deeply in the power of knowledge as a vehicle for positive social change and scholarship as a means for equitable social justice.
As an open access journal founded on feminist principles and focusing on women’s artistic production, ABO’s editorial collective is committed to review and publication practices that are open and inclusive. Much more needs to be done together. We will continue to reach out to scholars from underrepresented communities to encourage and support them. We also commit to seeking out and publishing work that interrogates and reveals the causes, histories, and narratives of the harmful intersections of patriarchy, sexism, racism, slavery, colonialism, and gender discrimination in the time period and areas of scholarship designated by our journal’s mission.
Current Issue: Volume 12, Issue 2 (2022) Winter 2022
Scholarship
Hannah Humphrey, London’s Leading Caricature Printseller
Ersy Contogouris and Béatrice Denis
Taking Chardin's Kitchen Maids Seriously
Danielle Ezor
Postures After the Antique in Eighteenth-Century Portraits of Women
Lauren K. DiSalvo
Cooking Up Knowledge: Materiality, Recipes, and Jane Barker’s A Patch-Work Screen for the Ladies
Carolin Boettcher
Pedagogy
Concise Collections: Teaching British Women Travelers
Tiffany Potter
Reviews
Review of The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank
Kathleen E. Urda
Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato
Ula E. Lukszo Klein
Review of Placing Charlotte Smith, eds Elizabeth A. Dolan and Jacqueline M. Labbe
Heather Heckman-McKenna
Editors
- Editor
- Laura Runge
- Managing Editor
- Courtney Beggs
- Scholarship Editor
- Mona Narain
- Pedagogy Editor
- Tiffany Potter
- Digital Humanities Editor
- Shawn Moore
- Book Review Editor
- Kate Ozment
- Lead Copy Editor
- Elizabeth Ford