Abstract
This essay offers suggestions for reading Phillis Wheatley as an early poet of environmental justice by tracing the figure of catastrophe that runs throughout her works. The essay recounts teaching Phillis’s early poems in an upper-level undergraduate seminar on “Ecocriticism: Environmental Justice Literature” as well as in a graduate seminar called “Global Georgics: Land and Labour Across the Long Eighteenth Century.” Looking closely at moments where she describes “pestilential vapors,” or when “Heav’n quakes, earth trembles, and the shores resound,” I argue that Wheatley’s carefully ordered heroic couplet poems speak calamity more than regularity, catastrophe more than gradualism. This pedagogical approach opens possibilities for reading Wheatley’s poetry in the context of recent Black and Indigenous critiques of notions of the Anthropocene that ignore colonial history (Kyle Whyte; Heather Davis and Zoe Todd; Janae Davis et al.); it also invites students to read her work alongside a range of anticolonial theory from Katherine McKittrick, Édouard Glissant, Leanne Betasamosake Simpson, Kathryn Yusoff, and many others as well as recent poetry, fiction, and writing from Craig Santos Perez, Tommy Pico, Shani Mootoo, and Jamaica Kincaid. Read in the contexts of these wider and longer histories, Wheatley’s poems invite readers to consider racial injustice alongside environmental degradation and speak also to the irreparable harms of colonial modernity both then and now.
Keywords
Phillis Wheatley, environmental justice, heroic couplets, catastrophe, pedagogy
Recommended Citation
O'Briain, Katarina
(2025)
"Reading Phillis Wheatley’s Catastrophist Poetics: Heroic Couplets and Environmental Justice,"
ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol.15: Iss.1, Article 5.
http://doi.org/10.5038/2157-7129.15.1.1447
Available at:
https://digitalcommons.usf.edu/abo/vol15/iss1/5