Abstract
Salons were core institutions of the eighteenth-century European social calendar, especially in Paris. Literary performances and philosophical conversation were the core activities of many of these gatherings. What did conversation and literary readings actually sound like at these events? To what extent were voices audible to everyone in the room, or too muffled or far away to be heard? What was the impact of the ambiance or of ephemeral sound on the reading or reception of the hearing? Using textual descriptions, paintings, and architectural information, I reconstruct two legendary readings of eighteenth-century texts, Voltaire’s L’Orphélin de la Chine and Marmontel's Contes Moraux at one of the better documented Enlightenment-era salons (Madame Geoffrin’s) to re-create the impact of sound and acoustics on a literary reading. These fictional recreations, while inherently speculative, hold promise in enriching the realms of sound and performance studies, offering valuable glimpses into the spatial dynamics and acoustic qualities inherent to informal and smaller performance venues for literary readings.
Keywords
French literature, salons, Enlightenment, literary readings, sound studies, French salons, Parisian salons, Geoffrin, Voltaire
Recommended Citation
Conroy, Melanie
(2024)
"The Sounds of Madame Geoffrin’s Salon,"
ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol.14: Iss.2, Article 5.
http://doi.org/10.5038/2157-7129.14.2.1400
Available at:
https://digitalcommons.usf.edu/abo/vol14/iss2/5
captions file
Conroy_Audio1_ Geoffrin.mp3 (7486 kB)
audio file #1 Voltaire
Conroy AudioFile 2 Geoffrin diner reading.mp3 (2024 kB)
Audio file #2 Marmontel
Included in
Digital Humanities Commons, Dramatic Literature, Criticism and Theory Commons, Feminist, Gender, and Sexuality Studies Commons, French and Francophone Literature Commons, Performance Studies Commons