Abstract
This essay investigates the role of natural law within the philosophical debates in 1790s Britain over the origins and applicability of citizens' rights, an issue amplified by memories of the French Revolution. It marks Amelia Opie’s 1805 novel Adeline Mowbray as representative of a counterrevolutionary faction focused extensively on the rights of citizens, yet fully distinct from the theoretically grounded cosmopolitan vision of both the French Jacobins and their radical British counterparts. The novel serves as evidence that the British counterrevolution was not intrinsically opposed to reform, and that reform itself was not incompatible with moral duty and social good nor antithetical to a more nationalistic - though broadly based - conception of "rights." In fact, it seems to be presented by Opie as a conscious alternative to revolutionary theories of universal right, by 1805 viewed by many as the progenitor of the political violence that had ensued following the fall of the Bastille sixteen years earlier.
Keywords
Amelia Opie, Adeline Mowbray, Natural Rights, French Revolution, British literature, counterrevolution, conservatism
Recommended Citation
Zunac, Mark
(2021)
"Customary Law and the Revival of Natural Rights Reformism in Amelia Opie's Adeline Mowbray,"
ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol.11: Iss.1, Article 4.
http://doi.org/10.5038/2157-7129.11.1.1263
Available at:
https://digitalcommons.usf.edu/abo/vol11/iss1/4
Included in
Dramatic Literature, Criticism and Theory Commons, Educational Methods Commons, Feminist, Gender, and Sexuality Studies Commons, Literature in English, British Isles Commons