Graduation Year

2026

Document Type

Dissertation

Degree

Ph.D.

Degree Name

Doctor of Philosophy (Ph.D.)

Degree Granting Department

English

Major Professor

John Lennon, Ph.D.

Committee Member

Philip Sipiora, Ph.D.

Committee Member

Cynthia Patterson, Ph.D.

Committee Member

Maria Cizmic, Ph.D.

Committee Member

Michelle Hughes-Miller, Ph.D.

Keywords

American literature, domestic ideology, feminist studies, motherhood studies, women and gender studies

Abstract

This dissertation examines how American women writers of the 19th and early 20th centuries constructed, contested, and reimagined motherhood as both a lived experience and a powerful social institution. Drawing on feminist theory and motherhood studies—particularly Adrienne Rich’s distinction between motherhood as experience and motherhood as institution and Shari Thurer’s definition of the “good mother”—it argues that this institution and ideology were never stable or universally attainable. Instead, it functioned as a shifting, exclusionary construct shaped by race, class, industrial capitalism, and patriarchal authority. Through close readings of domestic literature, poetry, fiction, and reformist texts by writers including Elizabeth Oakes Smith, Lydia Maria Child, Margaret Fuller, Sojourner Truth, Toni Morrison, Elizabeth Stuart Phelps, Frances E.W. Harper, Charlotte Perkins Gilman, Kate Chopin, Betty Smith, and Angelina Weld Grimké, this study traces three key historical moments: the rise of the mother as primary caregiver in the early 19th century, the emergence of the “Angel in the House” ideal in the Victorian period, and the rise of scientific motherhood in the early 20th century. Across these periods, maternal ideology intensifies rather than disappears, increasingly regulating women’s bodies, labor, and authority. By foregrounding working-class and Black maternal figures alongside white elite representations, this dissertation reveals how motherhood functioned as an exclusionary tool that reinforced racial and class hierarchies. At the same time, it demonstrates that women’s literary responses consistently exposed the contradictions and violences embedded in these ideals. Ultimately, this project reframes motherhood as a contested cultural site where women writers negotiated agency, resistance, and survival within—and against—restrictive social systems.

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